By putting Peter Parker back at the heart of the story, Spider-Man: Brand New Day delivers the MCU's strongest Spider-Man film yet.
Mutiny is so painfully predictable that even Jason Statham's trademark mayhem struggles to keep it afloat.
7 Dogs has all the money, stars and kinetic action you could want, but its vanity-project sheen cannot hide a painfully generic screenplay, observes Sreeju Sreedharan.
Not every Indian superhero movie lands, but these seven prove the genre has plenty of potential.
Bethlehem Kudumba Unit offers a delightful and charming cinematic experience, blending trademark humour with a sweet, unconventional love story, gushes Sreeju Sudhakaran.
What made Kaun Banega Crorepati special was the simplicity of the game, a clean Q & A format taking pride in delivering knowledge when not testing it. But the strain of advertising, destroying one medium after another, bears down on the latest edition, observes Sukanya Verma.
Khalifa wants to build a universe, but struggles to build a compelling film, leaving Prithviraj Sukumaran to carry a derivative thriller almost entirely on his shoulders laments Sreeju Sudhakaran.
The Traitors Season 2 is definitely more thrilling than Season 1, endorses Divya Nair.
Coming so soon after Main Vaapas Aaunga, also a Partition era tale with a message of compassion, the flaws in Batwara 1947 are even more grating, observes Deepa Gahlot.
Suriya and Mamitha Baiju light up this warm-hearted family entertainer, even if the film loses some of its spark in the second half.
Just suspend disbelief, grab some popcorn and enjoy the chaos. The End of Oak Street becomes much more fun that way, shares Mayur Sanap.
Thudakkam gives Vismaya Mohanlal a physically demanding debut where her fighting skills land the punches, even if her acting doesn't.
F1: The Movie is definitely a fun time at the movies and deserves a big screen experience, notes Mayur Sanap.
From Lakshya to Shershaah, revisit 10 Hindi films and shows that captured the courage, sacrifice and emotional cost of the 1999 Kargil War.
GDN has a fascinating genius at its centre, but Madhavan's terrific performance is let down by a repetitive, overly familiar biopic treatment.
Ohh My Dog has something different to offer. As for dog lovers, this is definitely a film to catch, rave Rajesh Karkera and Mayur Sanap.
With DC, Arun Matheswaran gives the tale of Devdas a stylish, blood-soaked treatment where Wamiqa Gabbi and Anirudh Ravichander steal the show.
The India Story adopts a very soap opera-like approach, piling on ham-fisted melodrama along with plenty of unevenness, sighs Sreeju Sudhakaran
From hilarious treasure hunts to recycled jokes, here's how every Dhamaal film stacks up from worst to best.
Max, Min And Meowzaki is not something Bollywood audiences are used to in their cinema that thrives on melodrama and noise. Still, it captures a slice of city life that has made space for cat lovers, movie buffs and Carnatic rockers, discovers Deepa Gahlot.
Emraan Hashmi, Disha Patani, and Shabana Azmi attended the special screening of their film, Awarapan 2, which releases today in theatres.
Awarapan 2 may give Emraan Hashmi the massy comeback his fans have been waiting for, but nostalgia can only do so much, notes Sreeju Sudhakaran.
Srinivasa Mangapuram introduces star kids Jai Krishna and Rasha Thadani in a formulaic romantic actioner that struggles to find its footing.
Operation Safed Sagar is prime purpose may be to honour IAF warriors but it is an inadvertent reminder of how we went from a nation of Jung na hone denge to Ghar mein ghus ke marenge, observes Sukanya Verma.
'Rajkumar Santoshi and Chandraprakash Dwivedi have narrated the story to me but such films require heavy budgets.'
For such a likeable ensemble cast, it is almost tragic how Bhai Tera Star Hai never grows funnier, notes Mayur Sanap.
Debutant Aman Indra Kumar simply has no screen presence or charisma, sighs Mayur Sanap.
Vikrant Massey, Vedika Pinto and Mahima Makwana are persuasive enough to hold ground even when their on screen actions leave you more flummoxed than fascinated, notes Sukanya Verma.
Adarsh Baal Vidyalaya is as breezy and it is earnest, discovers Deepa Gahlot.
A gripping psychological setup and Kunchacko Boban's superb performance are undone by a disappointingly ordinary final act in Unmadham.
A charming first half and two winning lead performances are undone by an overlong, predictable second half that loses sight of what made Chennai Love Story special.
Lenin packs enough intriguing twists to hook you, but eventually buries them beneath an all-too-familiar revenge saga.
Minions & Monsters entertains with its cinematic nostalgia baits, even if it never quite escapes the franchise's familiar storytelling flaws.
If Elle is to turn into its own franchise, it needs a lot more substance, notes Deepa Gahlot.
Welcome To The Jungle's moment of truth arrives when Akshay pleads 'Hum sab bhand hain' in the face of fear and power. If only the rest of this slog was as self-aware as this single scene, notes Sukanya Verma.
C Joseph Vijay's Jana Nayagan is not just a film but a potent political statement, strategically crafted to align with his political aspirations and claim the legacy of M G Ramachandran, notes Saisuresh Sivaswamy.
By the time Ikka reaches its overblown finale, complete with a redundant trick ending, the verdict becomes clear: Melodrama wins, logic loses, observes Mayur Sanap.
Toy Story 5 delivers a timely and visually stunning narrative that gently but firmly advocates for protecting children's imagination from the pervasive influence of digital devices, notes Deepa Gahlot.
Dhamaal 4, the latest instalment in the comedy franchise, struggles with lazy writing, recycled jokes, and an over-reliance on self-referential humour, despite a committed cast.
Heer Sara needed a lot more fizz, humour, and maybe even some stranger danger, suggests Deepa Gahlot.
